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Negativity
Feel is the most
essential fundamental if one wishes to excel as a tennis player.
There is only one way to develop feel: through trial and error. No
amount of reading, listening or studying can help you in this
endeavor. Often, negativity on the court arises after errors in the
mistaken belief that errors are bad. Obviously, on a short-term,
result-oriented, superficial level errors are bad. However, when
one looks deeper and takes a broader perspective, and if one is
tuned into becoming the best tennis player one can be, then, in a
way, errors are good because they help you develop the feel that
will ultimately determine how well you will play this game. Errors,
winners. miss-hits or well hit shots are all an essential part of
the learning process because it is through these varied experiences
that feel is developed.
Technical:
Observe, don’t judge!
The root of good
technique is feel. Good technique does not happen in some
scientific laboratory, but on the tennis court by hitting balls. If
one is relaxed, open-minded and perhaps guided ever so little, good
technique will happen. Good technique is natural for the body, it
is not something that one needs to struggle with……..unless one
already has poor technique. Bio-mechanically sound execution will
be consistent with the natural movements of the muscles and joints.
If one is relaxed, smooth and graceful, sound movement will often
result. A great deal of the awkwardness found on the club scene is
a result of tension.
Negativity is
mental activity; it is a judgment of what happened. Negativity is
not silence; consequently, negativity creates an obstacle to
developing feel. You hit a ball well and that has a certain feel to
it; you hit a ball poorly and that also has a certain feel to it.
If you can remain silent and present through both experiences, your
body will develop a greater sensitivity. This greater sensitivity
to the experience of hitting a ball is feel and developing feel will
ultimately improve your technical ability to strike a ball. Feel is
something learned by and for the body; the conscious mind is not
needed for it to happen. Technique very rarely fluctuates from day
to day, but performances and players’ ability to execute does; in my
understanding the root of these fluctuating fortunes is mental and
not technical.
Strategical:
Play every point the same!
To play at the
highest level of this game, shot selection must be instinctual. The
conscious mind is simply too slow to make the necessary decisions
while the point is being played. Being negative can lead to
tentativeness or over-hitting and an inability to execute shots
freely in a loose and relaxed way. If missing is so painful, then
obviously one will be less willing to hit out and play instinctively
or one will hit out without being centered, either way disaster will
result.
Basically,
anger, frustration and negativity affects judgment. Shot selection
needs to be made on specific criterion and one needs to be present
to the situation (relaxed intensity) to make these judgments
accurately.
Emotional:
Let-Go!
Tennis, because
of its high skill level requires a certain mind-body balance and a
wide range of fluctuating emotions make it extremely difficult to
return to that centered balance immediately. It is extremely
difficult to become angry and frustrated and 25 or 90 seconds later
muster the physiological centeredness necessary to hit balls
precisely. That is why, for emotional players the tempo of a match
spurts and stutters rather than flows. The emotional highs and lows
make a constant flow impossible. To let go of the last shot, be it
a winner or an error, is essential if peak performance is to
happen.
Emotion is a
double-edged sword and a very untrustworthy friend if one wishes to
excel at this game. Positive emotions do not exist in a vacuum,
consequently, when you invite these emotions in, you will discover
that the negative emotions have also walked in through the back
door.
Negative emotions create tension in the body and extended periods of
holding on to tension will physically drain the body, thus making it
susceptible to fatigue and all kinds of injuries.
Ultimately, being negative indicates that one is not confident about
oneself or in one’s ability to play this game. This is significant
not because of the weakness it shows to one’s opponent, but because
of the doubt it reflects at the root. You do not need false
bravado, but doubt will not allow you to reach your potential
because it will not allow you to swing freely or play loosely.
Also, becoming
negative reveals the inability to accept responsibility. To become
frustrated and angry is an inappropriate response because it does
not help in any way whatsoever. It is bailing out, instead of
facing adversity boldly in the face and searching deep within
oneself for a solution. When you can do that consistently, you will
become a much better competitor.
Spiritual: The
bottom line is peace of mind!
Constant negativity, make no mistake, is intrinsically painful.
Many competitive players have tremendous talent, but unfortunately
all these skills have brought them no intrinsic joy or peace of mind
from playing this game. Is there any value to success or material
abundance, if spiritual well-being does not accompany it?
The
ability to accept and love oneself allows us to live freely without
fear of failure. In the athletic arena, this feeling of well-being
is essential if we are to realize our full potential. Conversely,
the fear of failure that is at the root of all negativity, will
never allow you to live fully or to play to your very best.
In my
understanding, almost every player experiences some degree of
negativity during a match. Some players express their negativity,
while others suppress and control it. The focus should be on the
inner experience and not necessarily on the outer manifestation.
The goal is not to control or suppress anger and frustration, but
totally transcend it, so that one does not feel it.
The long-term
key to transcendence of the negativity is understanding, on some
level, the nature of these emotions and its consequences on the
individual and on his performance. This understanding will reveal
that all negativity and fear is coming from one’s own mind. The
root is the mind and one could analyze each individual episode, or
one could simply go to the root. The root would be cutting off all
mental activity. When one is silent, one is present and when one is
present to the moment no negativity can enter. Peak performance
happens in that silence, which is both relaxed and intense at the
same time. Find that balance and you have unearthed a great
treasure! |